{"id":6486,"date":"2026-08-29T11:03:15","date_gmt":"2026-08-29T11:03:15","guid":{"rendered":"https:\/\/paulcavilla.com\/?page_id=6486"},"modified":"2026-08-31T17:12:08","modified_gmt":"2026-08-31T17:12:08","slug":"j-farrow-gallery-toronto-2001","status":"publish","type":"page","link":"https:\/\/paulcavilla.com\/es\/j-farrow-gallery-toronto-2001\/","title":{"rendered":"Galer\u00eda J. Farrow, Toronto, 2001"},"content":{"rendered":"

SUBSURBA<\/h1>\n\n\n\n
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Galer\u00eda J. Farrow, Toronto, 2001<\/h2>\n\n\n\n
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La exposici\u00f3n de J. Farrow fue la primera de Cavilla y marc\u00f3 un punto de inflexi\u00f3n decisivo respecto a las limitaciones comerciales de una d\u00e9cada dedicada a la creaci\u00f3n de murales por encargo. En esta nueva pr\u00e1ctica art\u00edstica autodirigida, las figuras emergieron de densos campos gestuales de color y textura, oscilando entre la abstracci\u00f3n y la narrativa. Creadas durante un periodo de profunda transformaci\u00f3n personal, las pinturas pose\u00edan una intensidad psicol\u00f3gica que posteriormente se convertir\u00eda en un elemento central de su obra. La anatom\u00eda simplificada, las formas org\u00e1nicas recurrentes y las superficies densamente trabajadas establecieron un vocabulario visual a\u00fan experimental, pero ya reconocible como propio. El m\u00e9todo intuitivo desarrollado a trav\u00e9s de esta serie se convirti\u00f3 en la base de la pr\u00e1ctica posterior de Cavilla y contin\u00faa influyendo en su obra hasta el d\u00eda de hoy.<\/p>\n<\/div>\n\n\n\n

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Obras expuestas<\/h2>\n\n\n\n
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Hombre con cicatrices | \u00f3leo sobre lienzo | 52\u2033 x 32\u2033<\/figcaption><\/figure>\n\n\n\n
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Hombre con muletas | \u00f3leo sobre lienzo | 46\u2033 x 40\u2033<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Mujer con p\u00e1jaros | \u00f3leo sobre lienzo | 24\u2033 x 18\u2033<\/figcaption><\/figure>\n\n\n\n
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Mujer en llamas | \u00f3leo sobre lienzo | 50\u2033 x 32\u2033<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Filtrando esto | \u00f3leo sobre lienzo | 43\u2033 x 36\u2033<\/figcaption><\/figure>\n\n\n\n
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La Danza | \u00f3leo sobre lienzo | 46\u2033 x 42\u2033<\/figcaption><\/figure>\n\n\n\n
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Click | \u00f3leo sobre lienzo | 36\u2033 x 28\u2033<\/figcaption><\/figure>\n\n\n\n
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Hombre sonriente | \u00f3leo sobre lienzo | 29\u2033 x 19\u2033<\/figcaption><\/figure>\n\n\n\n
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Mujer so\u00f1adora | carboncillo | 14\u2033 x 9\u2033<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u00c1rboles de oto\u00f1o | \u00f3leo sobre lienzo | 24\u2033 x 19\u2033<\/figcaption><\/figure>\n\n\n\n
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Afirmaci\u00f3n | \u00f3leo sobre lienzo | 46\u2033 x 42\u2033<\/figcaption><\/figure>\n\n\n\n
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Mujer arrodillada | carboncillo | 14\u2033 x 9\u2033<\/figcaption><\/figure>\n\n\n\n
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Medusa | carb\u00f3n | 14\u2033 x 9\u2033<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Las im\u00e1genes contextuales de la instalaci\u00f3n que aparecen en esta p\u00e1gina han sido reconstruidas y remasterizadas digitalmente para transmitir con mayor claridad la magnitud y la atm\u00f3sfera de la exposici\u00f3n.<\/p>\n<\/div>\n\n\n\n

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Galer\u00eda Punto Azul<\/a> | Casa Independencia<\/a> | Galer\u00eda Agora<\/a><\/h2>\n\n\n\n
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<\/p>","protected":false},"excerpt":{"rendered":"

SUBSURFACING J. Farrow Gallery, Toronto, 2001 The J. Farrow exhibition was Cavilla\u2019s first and marked a decisive departure from the commercial constraints of a decade spent producing commissioned murals. Within this newly self-directed studio practice, figures emerged from dense, gestural fields of colour and texture, hovering between abstraction and narrative. Shaped during a period of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6486","page","type-page","status-publish","hentry"],"yoast_head":"\nJ. 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